Hands down, my favorite book title of this
year is the new volume from the folks at The
Other Journal: 'God
is Dead' and I Don't Feel So Good Myself: Theological Engagements with the New
Atheism, edited by Andrew David, Chris Keller, and Jon Stanley (Wipf
& Stock, 2010). (The publisher
has generously offered a 40% discount
for those readers of the Church and Postmodern Culture—just click on the link
above and use the coupon code GID10 to get the discount.)
In addition to having a great title, you get
an added bonus: it's also a fabulous book! Rather than playing the apologetic game on the new atheists'
rules, this volume brings together a creative mix of genres (essays,
interviews, art and poetry) in a constructive vision that is only obliquely a
'response' to the new atheism. And
it includes some of the most significant voices in contemporary thought,
including Charles Taylor, Stanley Fish, John Milbank, Merold Westphal, Luci
Shaw, Stanley Hauerwas, and many others.
So I thought I'd pose a few questions to a
couple of the editors, Chris Keller and Jon Stanley. I hope you'll enjoy listening in on the conversation.
JKAS:
This book grows out of articles that originally appeared in The Other Journal. Could
you tell us a little bit about the journal? How’d it get started?
What defines it?
Chris Keller: Yes, I started The Other Journal in 2003 with a good friend of mine Brian
Munz. We initially envisioned the journal as a platform for graduate
students to publish their work and foster dialogue with other students around
the globe. I thought this was a good idea partly because at the time I
had so many friends studying theology at excellent seminaries and graduate
schools around the country, and partly because I had come to the conclusion in
my own journey that it's absolutley insane that people don't, or wouldn't, take
theology more seriously than they do. Because theology deals with
ultimate realities of existence, and everyone has arguments for what they
believe (even if their arguments are anti-intellectual), it just boggled my
mind there weren't more publishing outfits that were explicitly featuring
theological discourse and exploring it's role in society at large... But
I digress. Very soon after we launched we were pleasantly surprised by who was
interested in a dialogue with us, so we quickly transitioned from featuring
graduate students to featuring leading Christian thinkers, activists, and
artists. Our editorial team was
built slowly as we created a network around the publication, and seven years
later we have an exellent editorial staff and modest budget that enables us to
publish content weekly throughout the year.
Jon Stanley: My side of the story of how TOJ got started begins at the
Café Vitrola on Capital Hill in Seattle.
We'd meet their quite often and on this occasion before we had taken our
first sip of coffee Chris said, 'I'm going to start an online journal and I want you to be in on
it.' My response was along the
lines of 'You've gone mad…but of course I'm in.' I'd already learned to trust
Chris' reads over the years; whether it's as a friend, therapist, thinker, or
cultural connoisseur, he's got an incredible knack for seeing what's out there
and what's needed, and when he talked with me about the theological lacuna in
the publishing world, and the niche he wanted TOJ to hit—if I recall the pitch
went something like, 'polychromatic
Christian commentary that is simultaneously rigorous and accessible by leading
thinkers, activists, and artists on theological themes, social movements,
political events, and cultural phenomena'—how could I resist? All of us at TOJ are really indebted to
Chris and Brian's leadership: Chris on the publishing side and Brian on the
technical side. This book has
really been a crucial and gratifying part of us hitting our stride as of late,
and we're thoroughly enjoying feeling the wind in our face.
And yes, roughly half of the content of 'God is Dead' and I Don't Feel so Good
Myself was initially published in our 'Atheism' issue (summer 2008). We were fortunate to receive some
stellar contributions from the likes of Charles Taylor, John Milbank, Merold
Westphal, Charles Mathewes, Luci Shaw, et
ceterra, and the issue was really well received by our readership, so it
wasn't long before we knew we had the makings of a book that could really be of
service to a broader audience regarding a crucial issue—postsecular theological
engagements with both the new atheism and secular critiques of Christian faith
and religious culture at large.
From there it was a matter of strategizing about what bases and angles
to cover to round out the volume.
D. Stephen Long wrote us a foreword that wonderfully frames the
discussion and that makes a substantive contribution to the discussion in its
own right. We were thrilled to be
able to host a conversation between the 'two Stanley's,' Stanley Hauerwas and
Stanley Fish. And the images from
Paul Roorda's art exhibit The Skeptic's
Gospel and Othe Remedies for Truth really adds something that even the best
prose is unable to communicate.
Needless to say, we are extremely grateful to all of our contributors
for their unique and incisive contributions and absolutely thrilled with the
way this book has come together.
JKAS: So
who do you envision as the readers for The Other Journal? Do you have a sense of who is reading it?
Chris: Well, we know that professors assign
TOJ articles for their graduate and undergraduate courses. Seminarians and religious studies
students read it. We also know
that Christian critical thinkers who probably tend toward more progressive
modes of Christian practice, and Christian artists and folks with aesthetic
sensibilities and interests, read it.
We are also housed at and partnered with the Mars Hill Graduate School
in Seattle so people associated with the school read it, and of course there is
a heavy concentration of readership in the Seattle area.
Jon: Knowing our readership is really
important to us—not so that we can congratulate ourselves that we're read by
this person or that person, or that our readership is growing in this city or
that (though we are big in Sydney)—but so that we can gauge how closely we are
keeping to our initial vision.
We've evolved over the years of course, but the pitch Chris made to me
seven years ago still characterizes every project we do, whether it's our
quarterly journal, our books with Wipf and Stock, or our annual Film, Faith,
and Justice Festival.
Part of the lacuna in the Christian publishing
world is that there's (at least) three 'notches' between the scholarly and the
popular, which excludes a lot of people who might either feel bored or
discouraged when interacting with one of these two genres. So for our online quarterly, we like to
say, 'our goal is to be a-notch-and-a-half more accessible than a typical
scholarly journal and a-notch-and-a-half more rigourous than a typical popular
magazine.' In my first-year
undergraduate social statistics course my political science professor used to
take delight in using 'sound scientific procedures' to demonstrate that people
who read Playboy tend to prefer wine to beer and that people who read Hustler
tend to prefer beer to wine. In
this sense we don't want to be either
a wine or beer drinker's journal. I
mean, there's just so many genres of wonderful libations out there that this
binary leaves sadly untapped.
The various 'sections' of the journal are
intended to address this as well.
Having sections dedicated to accessbile-academic articles; book, film,
and music reviews; web-tours of art exhibitions; various forms of creative
writing; a wide range of blogs; and social justice essays, really serves a
broad readership. Our hope is that
any thinking Christian, any thinking person really, could find something of
value in TOJ. We'd love to see
more cross-pollination, you know, more academics purusing the art exhibits, and
more activists reading the more scholarly essays. To borrow a basketball metaphor, if you're naturally right
handed TOJ is a place to learn to 'go left', to become more interdisciplinarily
dextrous and adept.
JKAS: Is
there any sense in which you think the journal is a uniquely “Seattle” venture?
Chris: Seattle is not culturally Christian by
any means, in fact many segments of it are quite anti-Christian. When I
visit my parents in Orlando, Florida, for instance, there are Christian fish
all over cars alongside Christian radio stickers; you see Christian billboards
quoting things God allegedly said in black and white schemata ("When I
said love your neighbor I really meant it" - God). In Seattle you're
more likely to get Darwin fish rather than ichthuses, and some of these Darwin
fish are shown humping Christian fish (touche!),
so you really see a toxic disdain toward 'Christianity' as portrayed by the
dominate evangelical culture(s). Such an environment is oddly refreshing
to me, however, because the cultural stuff I never liked anyway has been shorn
off by an acerbic culture. When I moved to Seattle after attending
university in the cornfields of Indiana I really had to reflect anew on what
faith is, what stays, what goes, what Christianity is and isn't, et cetera...
So there certainly is a sense in which the
journal is a distinctly Seattle venture in that we're concerned with bare,
honest Christian expression that is theologically self-conscious but resists
erudition. We need better 'gateway drugs' in the Christian community, and
we want the journal to be a gateway drug and slipperly slope toward the
theological bounty and cornucopia of resources that are available in the Christian
tradition but obscured by an amnesiac culture with a very short attention
span. As Stanley Fish says in this book, 'religion has been asking the
right kinds of questions for thousands of years' about what it means to be
fully human and to pursue justice, solidarity, and resourcefullness in our
personal, social, and political relationships. Of course, there have been better and worse answers to these
questions, but these are questions that need to be kept on the table and ever
before us, particulary if we are to avoid the arid reductionisms of
late-modernity and work toward achieving more open societies and more
sustainable ways of life.
Seattle's low-grade (and sometimes high-grade)
hostility toward Christianity has been met with different responses from
various Christians and Christian groups. The
militant-anti-hippy-take-Jesus-seriously-you-depraved-piece-of-crap approach is
certainly popular among some Christian groups here. But we prefer, along
with folks at Mars Hill Graduate School, Image
journal, Mustard Seed Associates, and numerous churches and artist communities
all over the city, to work to recover a Christian aesthetic that affirms a
Trinitarian theology and expresses an ontology of love.
Jon: I have a deep affection for Seattle, and
I woudn't want to discount the ways in which TOJ is indeed a uniquely Seattle
venture any more than I would want to dicount my own social location and
formation—by the ways in which I've been shaped by this city; by the ways in
which I am a product of the unique constellation of forces, institutions,
networks, aspirations, and practices that is 'Seattle;' by the ways in which
each and every one of us is simultaneously shaping and shaped by the cities in
which we live and which live through us.
I've recently been reading Graham Ward's Cities of God. And even though it is
true that certain segments of Seattle are quite self-consciously
anti-Christian, I have to say that if I allow the criteria Ward proposes
(drawing upon Augustine, Aquinas, and others) to discern the extent to which a
city is actually 'of God'—a city that promotes the health, sustenance,
enjoyment, protection, and religious aspirations of its people—to be a lens
through which I read this least-churched city in North America, then I can't
deny that in many ways this 'pagan' city is actually more substantially 'of
God' than most (in normative sense of being both a 'good city' and a 'city of
the good'). It's a city that, to
me, despite its reputation, is quite unwittingly Christian, and that invites
it's openly Christian inhabitants to learn to understand, stylize, and perform
their faith other-wise, that is, with a different wisdom—just to hint at how we
chose our name. Not to mention,
the coffee is great.
JKAS:
I've heard good things about the beer, too (though the Oregonians contest
that!). But your analysis here
reminds me of Zizek's comment that only a Christian like Tolkien could have
created such as wonderfully pagan world as we find in Middle Earth. So I'm very sympathetic to imagining that Seattle is closer to the city
of God than Grand Rapids, MI (G-R-usalem, as we call it).
Jon: Ha!
I wasn't aware of Zizek's comment, but I like it. It reminds me of Moltmann's quip that
'only a Christian can be a good atheist.'
And now we're talking, Jamie: we need more Christians like Tolkein,
more atheists like Zizek, and more 'wonderfully pagan' cities. In that light, if I could just
highlight one thing in particular it would be the Pacific Northwest sensibility
that life is less about 'making a buck' and 'winning the rat race' and more
about 'doing what you love'—something that echoes Augustine's invitation to
'love God and do what you want.'
And I'm not talking about a narcicistic enjoyment that is bereft of
sacrifice, but a true jouissance (or
deep pleasure) that has the texture, maturity, and complexity of a Columbia
region pinot noir, or a Yakima region stout—again, let's not be dualists with
respect to libations here. So what
this means for us at TOJ is that we know that if we're not truly enjoying what
we're doing—learning, growing, taking risks, opening ourselves to difference,
you know, having fun—then we really won't be of true service to our
readers. That's why every single
issue, from the topics we choose to the writers we solicit, begins with the
questions, 'What do we want to expose ourselves to next? What do we want to
learn? Who do we need to be reading right now?' We believe that if we have integrity to these questions then
the rest will take care of itself—and if not, then at least we'll have had fun
together.
JKAS: My
impression has always been that the Pacific northwest is kind of like a slice
of Norway within the 48 contiguous states (though you guys have much better
beer!). But there is a kind of European secularity that characterizes
Seattle and Portland, isn’t there?
Chris: An astute observation, particularly the
part about the beer (which I might add, is better than Portland's). Yeah
as I said earlier, there absolutely is a secularity that characterizes the
Pacific Northwest. We typically
win the honors of being the most "un-churched city" in the
country. There is also a certain seclusion from the rest of the country; you certainly feel far away from Wall Street and the Beltway up here, close to Canada, land-locked, insulated by clouds and rain and mountain ranges. Something is psychologically different, and I don't mean simply in terms of psychopathology (we have higher rates of serial killers and seasonal depression), but it's an iconoclastic posture and awareness that public life--from aesthetics to economics--can always be better imagin
Jon: I agree
that Seattle is characterized by a certain 'European secularity', and I can
certainly attest to the feeling of being 'far away', and even a bit
psychologically off-kilter at times.
However, I think each of these three characteristices (more so the first
two, but let's not discount the significance of the third) actually make
Seattle the city in North America that is poised to be on the vanguard of the
'postsecular' era that is imminently approaching, if it's not already
here.
First, it really is a Europen-style secularity
rather than an American-style secularity, so with less of the old money and
blue blood than some of the more
established and entrenchedly secular cities in America, it's more open to
so-called 'thick descriptions' of value and the significance of the role of
religious discourse in life and society.
Second, it is far away, but I think this actually provides Seattlites
with a certain critical distance that allows for a unique analysis of our
cultural moment—
JKAS:
Well, Sarah Palin was pretty far away up there in Alaska (and so close to
Russia!), but that didn't seem to help with 'critical distance.'
Jon: Ha! Well played, but Seattle's not
Alaska. This region invites
proposals that are able to transcend the binaries that reinforce the battle
lines of the culture wars. After
all, the heart of the emerald city bleeds Green rather than either Red or
Blue. And with regard to the
third, let's be honest, you have to be a little off-kilter if you're going to
have the mettle to jam a monkey wrench into the late-modern globocapitalist
machine every now and then. Let's
just say it's not only for rhyming reasons that the documentary chronicling the
WTO protests in Seattle (1999) isn't entitled, 'The Battle in Charleston'. So, my chips are down on Seattle as a
site of resistance against the depoliticization that characterizes the secular
cities of late modern culture.
JKAS: Do
you think the unique context of the Pacific Northwest was behind your interest
in tackling “the new atheism?”
Chris: Somewhat, yes. The obvious reason
for putting together a book is that there has just been so much new atheism
literature over the past few years. But then—and this ties into our
particularity—everyone who is a Christian in this city is living as a Christian
in the midst of a general population that has Bill Maher sensibilities, and
thinks Christian faith is simply 'Religulous'.
Does being a person of faith essentially mean living a life that is running
blind on the wheels of faith? That's what pisses Maher off so much. But here's the catch: that's what
pisses our readership off as well—the anti-intellectualism that grows like a
fungus in some Christian cultures. As for Christian responses, we see
folks all the time "respond" to atheism with all sorts of tactics
like anger, sarcasm, vitriol; the people who do it best in my opinion realize
there is an art form and humility to being a person of faith and that we must
be in dialogue with people different than ourselves. As Brian McLaren says in his endorsement, 'atheism isn't
just something to oppose or refute—it also can be a mirror, with much to teach
us about ourselves and our distorted and unworthy ideas about God and
religion.' So when we were
soliciting content a few years ago for this issue I really felt the pressing
need to think about what an authentic response to the new atheism might look
like, one that might be able to have some traction in a city like Seattle. I don't really see the new atheism as a
threat to the Christian faith, as such, but it certainly does pose a serious
(and much needed) threat to certain iterations of the Christian faith. I
don't feel, most days, offended or threatened by the new atheism, but this is a
much more interesting and culturally significant conversation to have than,
say, tithing or porn.
Jon: Yes, with respect to secularity, if you begin
to analyze the foundations of the rise of secularism itself, as Charles Taylor
(who is interviewed in the book) has done in his recent book A Secular Age, you begin to see both the
new atheists and their typical Christian critics as strange bedfellows, at each
other's throats by day, yet ultimatley bedding down together by night within
what Taylor calls the 'immanent frame'.
So, yes, approaching the new atheist debate from the vantage point of
the postsecular opens the door to a deeper analysis and a more creative
response to both the new atheists and their critics. This is the kind of book we felt the market hadn't yet
produced, with it's penchant for pursuing profit rather than substance by
relentlessly preaching to the choirs on both sides of the culture wars. So we parterned with Wipf and Stock and
decided to produce an other kind of
book.
A guage for us really was whether it could
play in Peoria, so to speak, or in this case whether it could be read in
Seattle, which means it has to be able to be able to darken the doors of both
the churches and the bars, and speak winningly to both of their inhabitants,
pissing them off enough to gain their respect and keep their interest yet
without crossing the line and getting bounced. We think we've been successful in this way, putting together
a book that is unflinchingly Christian, and that simultaneously learns from and
speaks redemptively to both sides of the debate. When Chris and I studied the doctrine of revelation in
graduate school our professor liked to say that if God can speak through
Balaam's donkey then he can certainly speak through other assess, so our desire
is to be damn good listeners and readers of culture. In this way, the book really is a unique 'response' to the
new atheist debate, one that we're proud of, and one that we believe is both
needed and worth reading.
JKAS:
One of the things I love about “God is Dead” and I
Don’t Fell So Good Myself is its refusal
of one genre. While it includes provocative essays, there are also some
fabulous interviews, poetry, visual art, slice of memoir. Do you see that
mixing of genres as its own kind of “response” to the new atheists?
Chris: Yes we like mixing genres because
different mediums allow for different access to reality. Reality is
multidimensional, so we try to refract numerous colors while still remaining
distinctly theological. It is a response to the new atheists because it
gives witness to what Charles Taylor says in this book when he notes that,
"If you do have such a view that everything is to be explained in terms of
physics and the movement of atoms and the like, then certain forms of access to
God [and reality] are just closed." In employing poetry, prose, and
different forms of visual art, we are wanting to account for the fullness of
the human experience. Even if the fact that our response is in the form
of a 'book' limits the extent to which this can be done, I think we're knocking
on the right door.
Jon: It's natural for us to mix genres in the
book, in part because our online quarterly mixes genres as well, and as Chris
has already said, behind this lies the intention to do as much justice as
possible to both the fullness of human experience in all its modes and
the great variedness and pluriformity of God's good creation. As we say in our preface to the book,
if the new atheists debate needs anything it is an openning up rather than a closing down, and 'telling
it slant' through different genres and modes of discourse is an attempt to do
exactly that. Poems serve as
bookends/opennings to the project and images from a stunning art exhibition by
Paul Roorda serve as an intermezzo for
the reader.
And yes, this mixing of genres is exactly part
of the response (and no small part at that) because it exposes and resists the
reductionisms (in the areas of anthropology, epistemology, and ontology, to
name a few) that are inscribed in the new atheists' critiques of Christian
faith and realigious culture. But
again I want to emphasize that many of those same reductionisms are inscribed
in the typical Christian responses to the new atheists as well. This is exemplified in the attempts by
the new atheists and their critics to scientifically prove the existence or nonexistence
of God, respectively, something I'm sure is causing both Nietzsche and
Chesterton to roll over in their graves, and something we have absolutely no
interest in getting involved in either—as James H. Olthuis says in his
endorsement, 'God is not an explanation.'
However, we do want to point out to both sides of the debate the
inherent and shared problematics in such a project, which I think the book does
very well.
Jamie, you have really spoken to this in your
endorsement by saying, 'The very shape of this book is a response to the New
Atheism precisely because it refuses their narrow imagination and rationalist
fundamentalism.' You've already
said it better here than either of us can, and it feels really gratifying to
know that this emphasis comes through in the book.
JKAS:
This book is another partnership between you guys and the folks just south of
you in Oregon, Wipf & Stock Publishers. Is this the sign of a
“Pacific Northwest” theological movement? What’s next for you guys?
Chris: The
folks at Wipf and Stock are amazing, and there is much we admire and appreciate
about them. This is our third book
with Wipf and Stock, after Remembering
the Future (2009) and Jesus Girls
(2009), the first book in our Experiences in Evangelicalism Series. I'm
not sure if its a 'theological movement,'—though I do like the sound of
that—but we are planning quite a few projects with them in the future and their
publication model is perfect for what we want to do, which essentially is to
publish books that we think are important without the tremendous burden of
having to sell 100,000 books every printing, not that we'd talk anyone out of
purchasing the book.
I guess one reason I feel a real connection with Wipf and Stock is that they
are passionate as well about theology; they think it matters. That might
sound obtuse and circular, but I feel solidarity with them because of a shared
conviction that it is important for Christians who are critically engaged with
their culture and with their faith to remain robustly 'Christian', and it's this
piece that is really exciting. In this book John Milbank says,
"‘Left Christians’ now have much more to stress the Christian bit if they
are truly going to be able to make a critical intervention." This is
of course true for all Christians, left or right leaning, but stressing the
Christian bit is a somewhat funny and challenging reproach to Christians in a
time disciplined by pseudo-events and political malaise. Learning to
"stress the Christian bit" in a way that is both grounded and open is
crucial, and I hope this book helps the reader with that all important
question.
Jon: We're
really grateful to be accomplices with the folks at both the Mars Hill Graduate
School and Wipf and Stock Publishers.
A friend of mine often says that if theology was the queen of the
sciences in the premodern world then the modern world relegated it to the
position of the dragqueen. Now I
have no interest in putting theology back on the throne, and I have not the
least problem with dragqueens, but perhaps it is time in our postmodern, or
even post-postmodern, world to rethink the discipline of theology itself and
reconsider the role of religion and religious discourse in contemporary life
and society. I guess what I really
appreciate about Wipf and Stock, and Mars Hill for that matter, is that they
are each in their own way trying to awaken thelogy from it's own 'dogmatic
slumber' and allow it be more undisciplined, unrully, and effective as the
leavening agent and orienting discourse in society that it is when it is at its
best.
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